{"id":481,"date":"2026-01-12T11:51:34","date_gmt":"2026-01-12T10:51:34","guid":{"rendered":"https:\/\/catedracacv.uji.es\/?p=481"},"modified":"2026-02-05T16:54:50","modified_gmt":"2026-02-05T15:54:50","slug":"temporada-2-unidad-tematica-no-2","status":"publish","type":"post","link":"https:\/\/catedracacv.uji.es\/ca\/2026\/01\/12\/temporada-2-unidad-tematica-no-2\/","title":{"rendered":"Temporada 2 &#8211; Unitat tem\u00e0tica n\u00ba 2"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"gb-headline gb-headline-8c557e53 gb-headline-text\">Temporada 2 &#8211; Unidad tem\u00e0tica n\u00ba 2<\/h2>\n\n\n\n<h6 class=\"gb-headline gb-headline-1179cb1a gb-headline-text\"><strong>S\u00e8rie \u201cEducaci\u00f3 Medi\u00e0tica per a una Ciutadania Cr\u00edtica\u201d<\/strong><\/h6>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/catedrartve.uji.es\/wp-content\/uploads\/2023\/03\/LogoConsellValenciaAudiovisual-1.png\" alt=\"\" class=\"wp-image-348\" style=\"width:107px;height:118px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-f-28-f-1-b-color has-alpha-channel-opacity has-f-28-f-1-b-background-color has-background is-style-default\"\/>\n\n\n\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:35%\"><div class=\"gb-container gb-container-8c0de836\">\n\n<h4 class=\"gb-headline gb-headline-b6450a6b gb-headline-text\">1. <strong>T\u00edtol i autoria<\/strong><\/h4>\n\n\n\n<figure class=\"gb-block-image gb-block-image-33b5429e\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1438\" class=\"gb-image gb-image-33b5429e\" src=\"https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/07-Temp.2X2-La-fotografia-como-a-escriptura-scaled.png\" alt=\"\" title=\"07 Temp.2X2 La fotografi\u0301a como a escriptura\" srcset=\"https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/07-Temp.2X2-La-fotografia-como-a-escriptura-scaled.png 2560w, https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/07-Temp.2X2-La-fotografia-como-a-escriptura-300x169.png 300w, https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/07-Temp.2X2-La-fotografia-como-a-escriptura-1024x575.png 1024w, https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/07-Temp.2X2-La-fotografia-como-a-escriptura-768x431.png 768w, https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/07-Temp.2X2-La-fotografia-como-a-escriptura-1536x863.png 1536w, https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/07-Temp.2X2-La-fotografia-como-a-escriptura-2048x1151.png 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong><strong>Marta Mart\u00edn N\u00fa\u00f1ez<\/strong><\/strong><br>Universitat Jaume I de Castell\u00f3<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"gb-container gb-container-540375e5\">\n\n<h4 class=\"gb-headline gb-headline-751e3e27 gb-headline-text\">2. <strong>Duraci\u00f3 del v\u00eddeo<\/strong><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">6\u2019, 45\u2019\u2019, 6 minuts i 45 segons<\/p>\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:65%\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cap\u00edtol 2: La fotografia com a escritura.\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/JKlVVc63Nys?list=PL6uy7Cpfzds9XYlr3Fgk3niLfFVxYZhkC\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<a class=\"gb-button gb-button-915c608a gb-button-text\" href=\"https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/Unitat-Tematica-2x02-La-fotografia-com-a-escriptura-Marta-Martin-Nunez-VAL.pdf\">Descarregar fitxa en PDF<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div class=\"gb-container gb-container-108bedd9\">\n\n<h4 class=\"gb-headline gb-headline-e336217c gb-headline-text\">3. Contingut del v\u00eddeo<\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Este v\u00eddeo contextualitza la import\u00e0ncia de la fotografia com una imatge que funciona moltes vegades com una finestra oberta al m\u00f3n per a veure el que ens resulta lluny\u00e0. Per\u00f2, al mateix temps, critica la noci\u00f3 que vincula la fotografia a la realitat i incideix en la idea de la fotografia com a escriptura. \u00c9s a dir, q\u00fcestiona que siga una imatge objectiva de la realitat visible i posa en valor la mirada del fot\u00f2graf per a construir la fotografia d\u2019un mode determinat i crear una mirada sobre el m\u00f3n.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">A trav\u00e9s de l&#8217;obra de tres fot\u00f2grafs \u2013Martin Parr, Juli\u00e1n Bar\u00f3n i Cristina de Middel\u2013s\u2019explora el potencial de l\u2019enquadrament fotogr\u00e0fic per a realitzar una cr\u00edtica social, la capacitat d\u2019un recurs t\u00e8cnic com el flaix per a crear una met\u00e0fora sobre la corrupci\u00f3 pol\u00edtica o les maneres de transitar el l\u00edmit entre la realitat i la ficci\u00f3.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div class=\"gb-container gb-container-179646c6\">\n\n<h4 class=\"gb-headline gb-headline-bec86422 gb-headline-text\">4. Objectius de la Unitat Tem\u00e0tica<\/h4>\n\n\n\n<ul class=\"wp-block-list has-small-font-size\">\n<li>Reflexionar sobre la import\u00e0ncia de la fotografia com a una finestra oberta al m\u00f3n.<\/li>\n\n\n\n<li>Criticar la idea tradicionalment associada a la fotografia d\u2019objectivitat i veritat.<\/li>\n\n\n\n<li>Comprendre el paper del fot\u00f2graf\/a en la construcci\u00f3 de la imatge fotogr\u00e0fica.<\/li>\n\n\n\n<li>Aproximar-se al treball fotogr\u00e0fic de Martin Parr, Juli\u00e1n Bar\u00f3n i Cristina de Middel.<\/li>\n<\/ul>\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"gb-container gb-container-9467a0ba\">\n\n<h4 class=\"gb-headline gb-headline-22ad9a22 gb-headline-text\">5. Activitats d\u2019aula<\/h4>\n\n\n\n<ul class=\"wp-block-list has-small-font-size\">\n<li>Lectura cr\u00edtica del llibre <em>El beso de Judas. Fotograf\u00eda y verdad <\/em>de Joan Fontcuberta (o, en defecte d\u2019aix\u00f2, un dels cap\u00edtols). \u00c9s un text escrit en un llenguatge molt accessible i que aclareix molts debats te\u00f2rics sobre la relaci\u00f3 entre fotografia i veritat.<\/li>\n\n\n\n<li>An\u00e0lisi d\u2019altres fotografies de Martin Parr, especialment del seu fotollibre <em>Small World<\/em>, al qual pertany la imatge analitzada en el v\u00eddeo.<\/li>\n\n\n\n<li>An\u00e0lisi de l\u2019obra <em>The Book of Veles<\/em>, del fotoperiodista Jonas Bendiksen, amb la qual va guanyar un premi de fotoperiodisme amb un treball creat \u00edntegrament amb Intel\u00b7lig\u00e8ncia Artificial. El projecte tracta precisament sobre Veles, un xicotet poble a Maced\u00f2nia que va ser el principal centre de distribuci\u00f3 de not\u00edcies falses en els \u00faltims anys.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\"><div class=\"gb-container gb-container-aeb96166\">\n\n<h4 class=\"gb-headline gb-headline-f061b9d5 gb-headline-text\">6. Recursos addicionals<\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Fotollibre: <a href=\"https:\/\/www.martinparr.com\/books\/%23gallery\/8__2303083010\/249\"><em>Small World <\/em>(Martin Parr, 1995)<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Fotollibre: <a href=\"https:\/\/www.julianbaron.es\/es\/portfolio-item\/censura-0\"><em>C.E.N.S.U.R.A. <\/em>(Juli\u00e1n Bar\u00f3n, 2011)<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Fotollibre: <a href=\"http:\/\/www.lademiddel.com\/the-afronauts.html\"><em>The Afronauts <\/em>(Cristina de Middel, 2012)<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Article de premsa: <a href=\"https:\/\/elpais.com\/babelia\/2021-10-06\/terapia-de-choque-contra-las-fake-news.html\"><em>Terapia de choque contra las \u2018fake news\u2019<\/em><\/a><em> <\/em>(El Pa\u00eds, 7 octubre 2021) sobre Jonas Bendiksen y <em>The Book of Veles<\/em><\/p>\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\"><div class=\"gb-container gb-container-d088cc3a\">\n\n<h4 class=\"gb-headline gb-headline-174cb58f gb-headline-text\">7. Refer\u00e8ncies seleccionades<\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Fontcuberta, Joan (1997). <em>El beso de Judas. Fotograf\u00eda y verdad<\/em>. Barcelona: Gustavo Gili. <\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Fontcuberta, Joan (2010). <em>La c\u00e1mara de Pandora. Fotograf\u00eda despu\u00e9s de la fotograf\u00eda<\/em>. Barcelona: Gustavo Gili.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Fontcuberta, Joan (2016). <em>La furia de las im\u00e1genes<\/em>. Barcelona: Galaxia Gutenberg<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Mart\u00edn N\u00fa\u00f1ez, Marta; Garc\u00eda Catal\u00e1n, Shaila; Marzal Felici, Javier (eds.) (2022). <em>Puntos ciegos. Miradas afiladas. Discursos fotogr\u00e1ficos y pr\u00e1cticas art\u00edsticas para hackear la posverdad. <\/em>Val\u00e8ncia: Tirant lo Blanch. <a href=\"https:\/\/www.culturavisual.uji.es\/puntos-ciegos-miradas-afiladas-discursos-fotograficos-y-practicas-artisticas-para-hackear-la-posverdad-2022\/\">https:\/\/www.culturavisual.uji.es\/puntos-ciegos-miradas-afiladas-discursos-fotograficos-y-practicas-artisticas-para-hackear-la-posverdad-2022\/<\/a> <\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Mart\u00edn N\u00fa\u00f1ez, Marta y Garc\u00eda Catal\u00e1n, Shaila (2015). Un segundo m\u00e1s y los caciques desaparecer\u00edan. El flash pol\u00edtico de Juli\u00e1n Bar\u00f3n. <em>FOTOCINEMA. Revista cient\u00edfica de cine y fotograf\u00eda<\/em>, 10, 327-351. <a href=\"https:\/\/doi.org\/10.24310\/Fotocinema.2015.v0i10.5989\">https:\/\/doi.org\/10.24310\/Fotocinema.2015.v0i10.5989<\/a><\/p>\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"gb-container gb-container-3c60aeac\">\n\n<h4 class=\"gb-headline gb-headline-d9684d06 gb-headline-text\">8. Fitxa t\u00e8cnica del v\u00eddeo<\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Direcci\u00f3 de projecte: <\/strong>Javier Marzal Felici; Marta Mart\u00edn N\u00fa\u00f1ez; Teresa Sorolla Romero<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Producci\u00f3: <\/strong>Roberto Arnau Rosell\u00f3 i Marta Mart\u00edn N\u00fa\u00f1ez<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Gui\u00f3 i realitzaci\u00f3: <\/strong>Marta Mart\u00edn N\u00fa\u00f1ez<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Presentadors: <\/strong>Yaiza Sim\u00f3n Cuesta i Carlos Mart\u00ednez<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Equips audiovisuales i plat\u00f3: <\/strong>Laboratori de Ci\u00e8ncies de la Comunicaci\u00f3 UJI<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Direcci\u00f3 de fotografia: <\/strong>Juan Plasencia Garc\u00eda<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Edici\u00f3 i postproducci\u00f3: <\/strong>Jordi Monta\u00f1ana<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Ajudants de postproducci\u00f3: <\/strong>Rub\u00e9n Nieto Gonz\u00e1lez i Claudia Ferrando Paulo<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Direcci\u00f3 d\u2019art: <\/strong>Daniel Zome\u00f1o<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Grafisme i efectes de postproducci\u00f3: <\/strong>Adam Brenes, Micrea Film Projects S.L.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Revisi\u00f3 ling\u00fc\u00edstica: <\/strong>Grup d\u2019Investigaci\u00f3 I.T.A.C.A.-UJI<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Imatges: <\/strong>Artgrid, \u00c0 Punt M\u00e8dia<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>M\u00fasica: <\/strong>Artlist<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Amb la col\u00b7laboraci\u00f3 de: <\/strong>Universitat de Val\u00e8ncia, Universitat Jaume I, Universitat d\u2019Alacant, Universitat Miguel Hern\u00e1ndez d\u2019Elx, Universitat Polit\u00e8cnica de Val\u00e8ncia, Universidad Cardenal Herrera-CEU, \u00c0 Punt M\u00e8dia, CEFIRE Art\u00edstic-expressiu de la Conselleria d\u2019Educaci\u00f3 de la Generalitat Valenciana<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Una producci\u00f3 de: <\/strong>C\u00e0tedra Interuniversit\u00e0ria d\u2019An\u00e1lisi i Prospectiva de l\u2019Audiovisual en la Universitat Jaume I del Consell de l\u2019Audiovisual de la Comunitat Valenciana<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Amb el suport de: <\/strong>C\u00e0tedra RTVE-UJI \u201cCultura Audiovisual i Alfabetitzaci\u00f3 Medi\u00e0tica\u201d i del Projecte de Recerca \u201cAlfabetitzaci\u00f3 medi\u00e0tica als mitjans de comunicaci\u00f3 p\u00fablics\u201d (AMI-EDUCOM) PID2022-1288NB-I00, finan\u00e7at pel Ministeri de Ci\u00e8ncia, Innovaci\u00f3 i Universitats i l\u2019Ag\u00e8ncia Estatal de Recerca.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n<\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Temporada 2 &#8211; Unidad tem\u00e0tica n\u00ba 2 S\u00e8rie \u201cEducaci\u00f3 Medi\u00e0tica per a una Ciutadania Cr\u00edtica\u201d 1. T\u00edtol i autoria Marta Mart\u00edn N\u00fa\u00f1ezUniversitat Jaume I de Castell\u00f3 2. Duraci\u00f3 del v\u00eddeo 6\u2019, 45\u2019\u2019, 6 minuts i 45 segons 3. Contingut del v\u00eddeo Este v\u00eddeo contextualitza la import\u00e0ncia de la fotografia com una imatge que funciona moltes &#8230; <a title=\"Temporada 2 &#8211; Unitat tem\u00e0tica n\u00ba 2\" class=\"read-more\" href=\"https:\/\/catedracacv.uji.es\/ca\/2026\/01\/12\/temporada-2-unidad-tematica-no-2\/\" aria-label=\"M\u00e9s informaci\u00f3 sobre Temporada 2 &#8211; Unitat tem\u00e0tica n\u00ba 2\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":508,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-481","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-serie-2-ca"],"_links":{"self":[{"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/posts\/481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/comments?post=481"}],"version-history":[{"count":2,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/posts\/481\/revisions"}],"predecessor-version":[{"id":927,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/posts\/481\/revisions\/927"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/media\/508"}],"wp:attachment":[{"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/media?parent=481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/categories?post=481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/tags?post=481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}