{"id":686,"date":"2026-01-21T13:47:29","date_gmt":"2026-01-21T12:47:29","guid":{"rendered":"https:\/\/catedracacv.uji.es\/?p=686"},"modified":"2026-02-05T16:53:02","modified_gmt":"2026-02-05T15:53:02","slug":"temporada-3-unidad-tematica-no-6-2","status":"publish","type":"post","link":"https:\/\/catedracacv.uji.es\/ca\/2026\/01\/21\/temporada-3-unidad-tematica-no-6-2\/","title":{"rendered":"Temporada 3 &#8211; Unitat tem\u00e0tica n\u00ba 7"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"gb-headline gb-headline-8c557e53 gb-headline-text\">Temporada 3 &#8211; Unidad tem\u00e0tica n\u00ba 7<\/h2>\n\n\n\n<h6 class=\"gb-headline gb-headline-1179cb1a gb-headline-text\"><strong>S\u00e8rie \u201cEducaci\u00f3 Medi\u00e0tica per a una Ciutadania Cr\u00edtica\u201d<\/strong><\/h6>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/catedrartve.uji.es\/wp-content\/uploads\/2023\/03\/LogoConsellValenciaAudiovisual-1.png\" alt=\"\" class=\"wp-image-348\" style=\"width:107px;height:118px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-f-28-f-1-b-color has-alpha-channel-opacity has-f-28-f-1-b-background-color has-background is-style-default\"\/>\n\n\n\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:35%\"><div class=\"gb-container gb-container-8c0de836\">\n\n<h4 class=\"gb-headline gb-headline-b6450a6b gb-headline-text\">1. <strong>T\u00edtol i autoria<\/strong><\/h4>\n\n\n\n<figure class=\"gb-block-image gb-block-image-33b5429e\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" class=\"gb-image gb-image-33b5429e\" src=\"https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/12-Temp.3X7-Infoentreteniment-i-periodisme-sensacionalista-scaled.png\" alt=\"\" title=\"12 Temp.3X7 Infoentreteniment i periodisme sensacionalista\" srcset=\"https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/12-Temp.3X7-Infoentreteniment-i-periodisme-sensacionalista-scaled.png 2560w, https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/12-Temp.3X7-Infoentreteniment-i-periodisme-sensacionalista-300x169.png 300w, https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/12-Temp.3X7-Infoentreteniment-i-periodisme-sensacionalista-1024x576.png 1024w, https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/12-Temp.3X7-Infoentreteniment-i-periodisme-sensacionalista-768x432.png 768w, https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/12-Temp.3X7-Infoentreteniment-i-periodisme-sensacionalista-1536x864.png 1536w, https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/12-Temp.3X7-Infoentreteniment-i-periodisme-sensacionalista-2048x1152.png 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong>Maria Josep Pic\u00f3 Garc\u00e9s<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><br><strong><strong>Universitat de Val\u00e8ncia<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"gb-container gb-container-540375e5\">\n\n<h4 class=\"gb-headline gb-headline-751e3e27 gb-headline-text\">2. <strong>Duraci\u00f3 del v\u00eddeo<\/strong><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">4\u2019,53\u2019\u2019, 4 minuts i 53 segons<\/p>\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:65%\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cap\u00edtol 7: Infoentreteniment i periodisme sensacionalista\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/JNYZKt16gF4?list=PL6uy7Cpfzds_Uja_x6EuTvGtV3Eqo98bG\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<a class=\"gb-button gb-button-915c608a gb-button-text\" href=\"https:\/\/catedracacv.uji.es\/wp-content\/uploads\/2026\/01\/Unitat-Tematica-7-Infoentreteniment-i-periodisme-sensacionalista-Maria-Josep-Pico.pdf\" rel=\"nofollow\">Descarregar fitxa en PDF<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div class=\"gb-container gb-container-108bedd9\">\n\n<h4 class=\"gb-headline gb-headline-e336217c gb-headline-text\">3. Contingut del v\u00eddeo<\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Les noves din\u00e0miques de consum de continguts al paradigma digital i la recerca d\u2019audi\u00e8ncies, cada cop m\u00e9s fragmentades i amb gran capacitat d\u2019interacci\u00f3, han afavorit nous desafiaments per al desenvolupament del periodisme de qualitat. La immediatesa, l\u2019agilitat i els continguts extraordin\u00e0riament breus s\u00f3n definitoris del nou entorn medi\u00e0tic on les xarxes socials han adquirit un paper fonamental, juntament amb la capacitat de difusi\u00f3 de la ciutadania. En aquest context, a m\u00e9s dels riscos de la desinformaci\u00f3 i de les not\u00edcies enganyoses, s\u2019agreugen tend\u00e8ncies perilloses per a la conformaci\u00f3 d\u2019una opini\u00f3 p\u00fablica qualificada. Entre ells, un fenomen antic, la premsa groga o la premsa sensacionalista, que troba en l\u2019\u00e0mbit digital un fabul\u00f3s en l\u2019ecosistema de les TIC i els algoritmes.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">De fet, els continguts m\u00e9s sorprenents, amb m\u00e9s capacitat d\u2019atracci\u00f3, malgrat la baixa fiabilitat o veracitat que tenen, poden tenir un gran \u00e8xit d\u2019audi\u00e8ncia, seguidors, difusi\u00f3 i aconseguir l\u2019anhelada viralitat. Els mitjans audiovisuals, especialment la televisi\u00f3, tamb\u00e9 han beneficiat tend\u00e8ncies com l\u2019infoentreteniment, un g\u00e8nere en al\u00e7a gr\u00e0cies a les noves eines digitals i les din\u00e0miques de transmissi\u00f3 i interacci\u00f3, com tamb\u00e9 la Intel\u00b7lig\u00e8ncia Artificial. Aquesta tend\u00e8ncia pot presentar aspectes positius per a captar audi\u00e8ncia. Alhora, per\u00f2, tamb\u00e9 revela riscos per al periodisme de qualitat ja que sol barrejar la informaci\u00f3 amb l\u2019opini\u00f3 i l\u2019espectacle amb la finalitat d\u2019aconseguir la m\u00e0xima audi\u00e8ncia o consum en la divulgaci\u00f3 de continguts. Sensacionalisme i infoentreteniment ja es consideren elements de la postveritat davant la influ\u00e8ncia que exerceixen en la conformaci\u00f3 de l\u2019opini\u00f3 p\u00fablica.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div class=\"gb-container gb-container-179646c6\">\n\n<h4 class=\"gb-headline gb-headline-bec86422 gb-headline-text\">4. Objectius de la Unitat Tem\u00e0tica<\/h4>\n\n\n\n<ul class=\"wp-block-list has-small-font-size\">\n<li>Con\u00e9ixer les caracter\u00edstiques del periodisme sensacionalista i del periodisme de qualitat.<\/li>\n\n\n\n<li>Analitzar l\u2019evoluci\u00f3 de l\u2019infoentreteniment des de l\u2019era anal\u00f2gica a la digital i la IA.<\/li>\n\n\n\n<li>Descobrir les claus de l\u2019infoentreteniment al paradigma digital per evitar els riscos per a l\u2019opini\u00f3 p\u00fablica.<\/li>\n<\/ul>\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"gb-container gb-container-9467a0ba\">\n\n<h4 class=\"gb-headline gb-headline-22ad9a22 gb-headline-text\">5. Activitats d\u2019aula<\/h4>\n\n\n\n<ul class=\"wp-block-list has-small-font-size\">\n<li>5.1. <strong>Treballs d\u2019an\u00e0lisi diversos amb:<\/strong>\n<ul class=\"wp-block-list\">\n<li><strong>L\u00ednia audiovisual amb pel\u00b7l\u00edcules:<\/strong>\n<ul class=\"wp-block-list\">\n<li><strong><em>Los archivos del Pent\u00e1gono <\/em>(<em>The Post<\/em>, Steven Spielberg, 2017)<\/strong><\/li>\n\n\n\n<li><strong><em>Spotlight <\/em>(Tom McCarthy, 2015)<\/strong><\/li>\n\n\n\n<li><strong><em>El Esc\u00e1ndalo <\/em>(<em>Bomshell<\/em>, Jay Roach, 2019)<\/strong><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>L\u00ednia amb documentals:<\/strong>\n<ul class=\"wp-block-list\">\n<li><strong><em>El dilema de las redes sociales <\/em>(<em>The Social Dilema<\/em>, Jeff Orlowski, 2020)<\/strong><\/li>\n\n\n\n<li><strong><em>No se mata la verdad <\/em>(Coizta Grecko, 2019)<\/strong><\/li>\n\n\n\n<li><strong><em>Breaking the news <\/em>(Heather Courtney, Princess A. Hairston y Chelsea Hernandez, 2023)<\/strong><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>L\u00ednia amb produccions televisives:<\/strong>\n<ul class=\"wp-block-list\">\n<li><strong>Programas de la televisi\u00f3n convencional: <em>El Intermedio<\/em>, <em>Cuarto Milenio<\/em>.<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>5.2. <strong>Creacions audiovisuals i de podcast d\u2019infoentreteniment i sensacionalisme<\/strong>\n<ul class=\"wp-block-list\">\n<li><strong>Elaborar un podcast conversacional d\u2019infoentreteniment.<\/strong><\/li>\n\n\n\n<li>Editar p\u00edndoles audiovisuals per difondre en xarxes sobre not\u00edcies d\u2019actualitat passades pel tam\u00eds sensacionalista.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\"><div class=\"gb-container gb-container-aeb96166\">\n\n<h4 class=\"gb-headline gb-headline-f061b9d5 gb-headline-text\">6. Recursos addicionals<\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Tutorials que adverteixen sobre els perills de la informaci\u00f3 a Internet o sobre qu\u00e8 fer davant les not\u00edcies falses (quan sospitem que ho poden ser):<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<ul class=\"wp-block-list has-small-font-size\">\n<li>Desinformaci\u00f3: 10 passos per protegir-se i protegir els altres. <a href=\"https:\/\/shre.ink\/qfXU\">https:\/\/shre.ink\/qfXU<\/a><\/li>\n\n\n\n<li>TED Social media: <a href=\"https:\/\/www.youtube.com\/watch?v=Czg_9C7gw0o\">https:\/\/www.youtube.com\/watch?v=Czg_9C7gw0o<\/a><\/li>\n\n\n\n<li>Podcast: <a href=\"https:\/\/www.npr.org\/2020\/04\/17\/837202898\/comic-fake-news-can-be-deadly-heres-how-to-spot-it\">https:\/\/www.npr.org\/2020\/04\/17\/837202898\/comic-fake-news-can-be-deadly-heres-how-to-spot-it<\/a><\/li>\n\n\n\n<li>Institut Nacional de Ciberseguretat. Recursos formatius contra la desinformaci\u00f3. <a href=\"https:\/\/www.incibe.es\/\">https:\/\/www.incibe.es<\/a><\/li>\n\n\n\n<li>Learn to Check. Formaci\u00f3 contra la desinformaci\u00f3. <a href=\"https:\/\/learntocheck.org\/\">https:\/\/learntocheck.org<\/a><\/li>\n<\/ul>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\"><div class=\"gb-container gb-container-d088cc3a\">\n\n<h4 class=\"gb-headline gb-headline-174cb58f gb-headline-text\">7. <strong><strong>Refer\u00e8ncies seleccionades<\/strong><\/strong><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Berrocal Gonzalo, Salom\u00e9; Redondo Garc\u00eda, Marta y Campos Dom\u00ednguez, Eva (2012). Una aproximaci\u00f3n al estudio del infoentretenimiento en Internet: origen, desarrollo y perspectivas futuras. <em>adComunica<\/em>, 63\u201379. <a href=\"https:\/\/doi.org\/10.6035\/2174-0992.2012.4.5\">https:\/\/doi.org\/10.6035\/2174-0992.2012.4.5<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Ferr\u00e9 Pavia, Carme (2013). Infoentretenimiento: El Formato Imparable de la Era del Espect\u00e1culo. Barcelona: Editorial UOC.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Garc\u00eda-Avil\u00e9s, Juan Antonio (2021). El reportaje de infoentretenimiento: evoluci\u00f3n del g\u00e9nero en las televisiones generalistas en Espa\u00f1a (1990-2020). <em>Revista de Comunicaci\u00f3n<\/em>, 20(2), 171\u2013188. <a href=\"https:\/\/doi.org\/10.26441\/RC20.2-2021-A9\">https:\/\/doi.org\/10.26441\/RC20.2-2021-A9<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Ortells Badenes, Sara (2015). Los magazines de actualidad basados en el infoentretenimiento: nuevos rasgos del lenguaje audiovisual en el periodismo televisivo. <em>Signo <\/em><em>y Pensamiento<\/em>, vol. 34, n. 66, 44-61. <a href=\"https:\/\/doi.org\/10.11144\/Javeriana.syp34-66.mabi\">https:\/\/doi.org\/10.11144\/Javeriana.syp34-66.mabi<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Rey Morat\u00f3, Javier del (1998). El naufragio del periodismo en la era de la televisi\u00f3n: la industria del infoentretenimiento, de Arist\u00f3teles a Walt Disney. Madrid: Fragua. V\u00e1zquez La Hoz, Brenda y Rom\u00e1n Portas, Mercedes (2013). \u00abVidas An\u00f3nimas\u00bb (La Sexta): equilibrio entre realidad aut\u00e9ntica y realidad dirigida. <em>Estudios sobre el Mensaje Period\u00edstico<\/em>, 19, 1067-1075. <a href=\"https:\/\/doi.org\/10.5209\/rev_ESMP.2013.v19.42191\">https:\/\/doi.org\/10.5209\/rev_ESMP.2013.v19.42191<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"gb-container gb-container-3c60aeac\">\n\n<h4 class=\"gb-headline gb-headline-d9684d06 gb-headline-text\">8. Fitxa t\u00e8cnica del v\u00eddeo<\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Direcci\u00f3 de projecte: <\/strong>Javier Marzal Felici; Marta Mart\u00edn N\u00fa\u00f1ez; Teresa Sorolla Romero<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Producci\u00f3n: <\/strong>Roberto Arnau Rosell\u00f3 y Antonio Loriguillo L\u00f3pez<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Gui\u00f3 i realitzaci\u00f3: <\/strong>Maria Josep Pic\u00f3 Garc\u00e9s<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Presentadors: <\/strong>Lara Pi\u00f1ana y Vicent Moya<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Equips audiovisuales i plat\u00f3: <\/strong>Laboratori de Ci\u00e8ncies de la Comunicaci\u00f3 UJI<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Direcci\u00f3 de fotografia: <\/strong>Juan Plasencia Garc\u00eda <\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Edici\u00f3 i postproducci\u00f3: <\/strong>Claudia Ferrando Paulo <\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Ajudant de postproducci\u00f3: <\/strong>Rub\u00e9n Nieto Gonz\u00e1lez <\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Supervisi\u00f3 de muntatge: <\/strong>Jordi Monta\u00f1ana <\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Direcci\u00f3 d\u2019art: <\/strong>Daniel Zome\u00f1o<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Grafisme i efectes de postproducci\u00f3: <\/strong>Adam Brenes, Micrea Film Projects S.L.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Revisi\u00f3 ling\u00fc\u00edstica: <\/strong>Grup d\u2019Investigaci\u00f3 I.T.A.C.A.-UJI<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Imatges: <\/strong>Artgrid, \u00c0 Punt M\u00e8dia<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>M\u00fasica: <\/strong>Artlist<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Amb la col\u00b7laboraci\u00f3 de: <\/strong>Universitat de Val\u00e8ncia, Universitat Jaume I, \u00c0 Punt M\u00e8dia, CEFIRE de Castell\u00f3 de la Conseller\u00eda d\u2019Educaci\u00f3 de la Generalitat Valenciana<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Una producci\u00f3n del: <\/strong>Laboratorio de Ciencias de la Comunicaci\u00f3n, UJI<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Amb el suport de: <\/strong>C\u00e1tedra Interuniversitaria de An\u00e1lisis y Prospectiva Audiovisual en la Universitat Jaume I del Consell de l\u2019Audiovisual de la Comunitat Valenciana, C\u00e0tedra RTVE-UJI \u201cCultura Audiovisual i Alfabetitzaci\u00f3 Medi\u00e0tica\u201d i Projecte de Recerca \u201cAlfabetitzaci\u00f3 medi\u00e0tica als mitjans de comunicaci\u00f3 p\u00fablics\u201d (AMI-EDUCOM) PID2022-1288NB-I00, finan\u00e7at pel Ministeri de Ci\u00e8ncia, Innovaci\u00f3 i Universitats i l\u2019Ag\u00e8ncia Estatal de Recerca.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n<\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Temporada 3 &#8211; Unidad tem\u00e0tica n\u00ba 7 S\u00e8rie \u201cEducaci\u00f3 Medi\u00e0tica per a una Ciutadania Cr\u00edtica\u201d 1. T\u00edtol i autoria Maria Josep Pic\u00f3 Garc\u00e9sUniversitat de Val\u00e8ncia 2. Duraci\u00f3 del v\u00eddeo 4\u2019,53\u2019\u2019, 4 minuts i 53 segons 3. Contingut del v\u00eddeo Les noves din\u00e0miques de consum de continguts al paradigma digital i la recerca d\u2019audi\u00e8ncies, cada cop &#8230; <a title=\"Temporada 3 &#8211; Unitat tem\u00e0tica n\u00ba 7\" class=\"read-more\" href=\"https:\/\/catedracacv.uji.es\/ca\/2026\/01\/21\/temporada-3-unidad-tematica-no-6-2\/\" aria-label=\"M\u00e9s informaci\u00f3 sobre Temporada 3 &#8211; Unitat tem\u00e0tica n\u00ba 7\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":642,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-686","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-serie-3-ca"],"_links":{"self":[{"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/posts\/686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/comments?post=686"}],"version-history":[{"count":6,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/posts\/686\/revisions"}],"predecessor-version":[{"id":915,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/posts\/686\/revisions\/915"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/media\/642"}],"wp:attachment":[{"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/media?parent=686"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/categories?post=686"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/catedracacv.uji.es\/ca\/wp-json\/wp\/v2\/tags?post=686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}